Before coming to Eindhoven, I studied metal craftsmanship at Ecole Boulle. This school teaches students the traditional French craft heritage. There, I learned to have a good vision in 3D, precise technical skills and an eye for quality. Some aspects of this education have remained strongly in my mind: as we were forging our own tools with a fire torch and a hammer, I designed my own tools -all laser cut in steel- to construct the ‘Regen’ garments and accessories. I also love all the little technical tricks that make crafts and techniques being so smart. And to conclude, I really enjoy the craftsman routine: spending time in an atelier, being physically active and focused, trying out different tools, making a mess, and having the greatest satisfactory feeling when all the products are finally done and the atelier is clean again.
What fascinates you about designing materials?
First of all I would say that I am a materialist and therefore, I like to touch and feel the matter. I like the weight, the texture and the smell of things. I feel connected to the materials because my senses can relate to them. I like the smell of Argon when I weld, the smell of sheep when I work with wool, the smell of latex when I work on ‘Regen’. All these details give an atmosphere to my days. Besides this, I am seeking unexpected outcomes from common materials. I enjoy playing with their limits, or combine them to extract possibilities they haven’t given yet. When I manage to get a surprising effect, then I feel that I have achieved my goal.
Can you describe your creative process?
Peer partnerships may be best-suited for some goals, and the article makes an effective case for that. But the title is unfortunate. It’s not an either/or thing. Mentoring can have a decisive influence for women especially. In her new book on gender equality in the workplace, Iris Bohnet cites research finding that men tend to be paired with influential mentors who actively advocate for them, while women tend to be paired with less senior mentors who merely advise and coach. (See Iris Bohnet, “What Works: Gender Equality By Design”)
The following adverse reactions were reported to be possibly or probably related to treatment with ELOCON Ointment (mometasone furoate ointment) during a clinical study, in 5% of 63 pediatric patients 6 months to 2 years of age: decreased glucocorticoid levels, 1; an unspecified skin disorder, 1; and a bacterial skin infection, 1. The following signs of skin atrophy were also observed among 63 patients treated with ELOCON Ointment (mometasone furoate ointment) in a clinical study: shininess 4, telangiectasia 1, loss of elasticity 4, loss of normal skin markings 4, thinness 1. Striae and bruising were not observed in this study.